Against a backdrop of racial tension, punk-rock
politics and freshly discovered passion, a single roll of film
became the ultimate prize in a clash between morality and sensationalism.
Howard (Neal Huff) learns the first law of photography
- no matter where you point your camera, you are always shooting
yourself. |
| Color,
Stereo, 102 minutes |
| |
| "Blessed
with a cast of fresh eager young faces and an all-star soundtrack,
Moore establishes himself as a talent." |
Joey
O'Brien, Austin Chronicle |
|
". . . surprisingly quirky yet moving directorial debut"
|
Seattle
Weekly |
"Director David Moore and screenwriter Paul Mullin are going
for that rare thing; they're trying to challenge their audience."
|
Gillian
Gaar, film.com |
|
"Perceptive, Intelligent, and Engrossing"
|
Seattle
Weekly |
" . . . more perceptive,
intelligent, and engrossing than a majority of what emerges from
Hollywood."
|
James
Berardinelli, movie-reviews.com |
"It rocks! This is a film not to be missed . . . a wonderful
ensemble"
|
David
Baidin,
Kansas City Arts & Entertainment |